Mohawk artist Shawnee Kish expresses her joy when fans appreciate her song “No Evil,” featured in the popular series “North of North” on APTN, CBC, and Netflix. The energetic pop rock track is showcased in the third episode, focusing on a modern Inuk woman named Siaja as she navigates life changes. Kish, a Juno nominee for contemporary Indigenous artist or group, is pleased that her music is gaining exposure through a show promoting female empowerment.
The series’ soundtrack also highlights two other Juno nominees: Inuit throat singing duo PIQSIQ and Haisla hip-hop pair Snotty Nose Rez Kids. The global recognition of “North of North” is seen as a platform for Indigenous artists to share authentic narratives and educate audiences about Indigenous culture and history while inspiring future generations.
Stacey Aglok MacDonald, co-creator of “North of North,” is amazed by the positive reception and praises the impact of the show’s soundtrack. She emphasizes the importance of including Indigenous artists in mainstream platforms like Netflix to reach wider audiences and celebrate diversity in music.
The diverse soundtrack of the series combines various music genres, including pop, rock, throat singing, and covers of popular songs in Inuktitut. Music supervisor Michael Perlmutter emphasizes the emotional and universal power of music to connect with listeners, regardless of language barriers.
The Juno Awards are increasingly recognizing Indigenous artists in non-Indigenous categories, showcasing the blend of traditional and contemporary music. Indigenous musicians like Snotty Nose Rez Kids, PIQSIQ, William Prince, and Crystal Shawanda are making waves in the music industry, symbolizing a shift towards inclusivity and cultural representation.
The evolution of Indigenous music is seen as a vital part of Canada’s cultural landscape, with ongoing efforts to promote Indigenous artists and stories. Organizations like the Canadian Academy of Recording Arts and Sciences and the Indigenous Music Office play crucial roles in supporting Indigenous music creators and preserving cultural heritage through music.
Melody McKiver, an Anishinaabe musician and composer, highlights the role of music in facilitating conversations about Indigenous history and resilience. The continuous innovation in Indigenous music reflects the enduring presence and creativity of Indigenous communities in Canada.
Shawnee Kish aims to create safe spaces for Indigenous artists and encourages the next generation to embrace their identity and share their unique voices with the world. She values the visibility that accolades like Juno nominations provide, inspiring Indigenous artists to be authentic and unapologetic in their storytelling and artistic expression.