In Montreal, a young woman wearing a Spin magazine T-shirt gazes intensely at the blank screen of her 2011 MacBook. This scene reminiscent of director Chandler Levack’s life mirrors her journey from Toronto to Montreal’s thriving music scene.
Levack’s filmmaking success took off in 2022 with her debut film, “I Like Movies,” portraying a teenager deeply immersed in film culture. This breakthrough paved the way for “Mile End Kicks,” her second release, and “Roommates,” her third feature, set to premiere on April 17 in theaters and on Netflix.
Reflecting on her rapid rise, Levack expressed disbelief, feeling as though she has entered an alternate reality she never envisioned. “Mile End Kicks,” loosely based on Levack’s experience in Montreal during the summer of 2011, centers on Grace, played by Barbie Ferreira from “Euphoria,” an aspiring music writer embracing the vibrant Mile End neighborhood.
Immersed in Montreal’s music scene of 2011, Levack witnessed the emergence of iconic artists like Grimes and Mac DeMarco, an experience she described as feeling like living in a movie for the first time. Inspired by the film “Almost Famous,” Levack’s fascination with rock journalism led her to abandon university for writing opportunities with Spin and The Village Voice.
“Mile End Kicks” sheds light on a perspective often overlooked in music scene narratives— that of a young woman navigating a male-dominated environment. Levack’s personal encounters within the rock music realm influenced the film’s portrayal of Grace’s struggles against bro culture.
The film also pays homage to Levack’s musical idol, Alanis Morissette, with Grace’s writing assignment about Morissette serving as a pivotal plot point. Levack draws parallels between Morissette’s empowerment journey in “Jagged Little Pill” and her own experiences with sexism in the music industry.
While guiding Ferreira’s performance, Levack humorously compared her own chaotic past to her character’s, emphasizing the importance of portraying authentic and relatable characters in her films. The audience’s connection to the flawed nature of her characters has been a rewarding aspect for Levack, highlighting the power of creating unique and honest art.
Despite the whirlwind of success, Levack remains focused on her upcoming film, “Roommates,” as she navigates a demanding schedule. Juggling multiple projects, including collaborations with Adam Sandler on the college comedy “Roommates,” Levack reflects on the rapid progression of her career and the unique opportunities presented to her.
Transitioning to life in Los Angeles, Levack acknowledges the flourishing Canadian film industry and the growing appreciation for Canadian cinema. With her projects alongside the surge in Canadian filmmaking, Levack envisions a promising era for Canadian culture despite external challenges.